To celebrate Wild Rides, my new collection from Dirt Road Books, I'm sharing a long story that isn't in the book at all, but does appear in the first collection in 2011 from Lethe Press, A Ride to Remember. Feel free to skip my rambling introduction and dive right in.
I can’t type the title of this WWII song without longing to share more of its lyrics, and wishing even more that I could somehow impart the emotional impact of the tune. But “Fair Use” permissiveness for song lyrics and poetry in general has very strict limits, so all I dared to use in the story I wrote was the song’s title. For whatever reason, titles can’t be copyrighted, so I even used most of this one for my own story’s title.
In my story “To Remember You By” I referenced a wide range of song titles to evoke the mood and intensity of the WWII setting. My parents were in their youthful prime then, and I was exposed to the music of that era in the movies they watched and the records my mother sang along with long after the war was over. I’ll never be able to tell how many readers may have heard the tunes and lyrics in their heads as they read my story, or how much that may have affected their enjoyment, but it’s been published several times since its first appearance in Hanne Blank’s anthology Shameless: Women's Intimate Erotica from Seal Press way back in 2002, so a fair number of people have probably read it. There was even a condensed version printed in Penthouse when Seal Press persuaded that magazine to take a few stories from the anthology as samples of what kind of erotica women were writing. The timing was bad, because Penthouse went into some temporary form of bankruptcy just then and never paid us for our work, but I was almost as disappointed that in condensing my story they took out all the musical references.
Ah well. “To Remember You By” was also reprinted in one of the editions of The Mammoth Book of New Erotica, and it was the lead-off piece in the first collection of my own stories, A Ride to Remember from Lethe Press in 2011, while a sequel, “Alternate Lives,” about the same characters thirty-five years later, was the end piece. Maybe I’ll share that one with you sometime.
Okay, enough reminiscing. Time to face the music! (Fair warning: one of the characters is bisexual.)
To Remember You By
Sacchi Green
In the summer of 1943, the air was sometimes so thick with sex you could have spread it like butter and it would have melted, even on cold English toast.
The intensity of youth, the urgency of wartime, drove us. Nurses, WACs, young men hurled into the deadly air war against Germany, gathered between one crisis and another in improvised dance halls. Anything from barns to airfield hangars to tents rigged from parachute silk would do. To the syncopated jive of trumpets and clarinets, to "Boogie Woogie Bugle Boy" and "Accentuate the Positive," we swayed and jitterbugged and twitched our butts defiantly at past and future. To the muted throb of drums and the yearning moan of saxophones, to "As Time Goes By" and "I'll Be Seeing You," our bodies clung and throbbed and yearned together.
I danced with men facing up to mortality, and with brash young kids in denial. Either way, life pounded through their veins and bulged in their trousers and sometimes my body responded with such force I felt as though my own skirt should have bulged with it.
But I wasn't careless. And I wasn't in love. As a nurse, I'd tried to mend too many broken boys, known too many who never made it back at all, to let my mind be clouded by love. Sometimes, though, in dark hallways or tangles of shrubbery or the shadow of a bomber's wings, I would comfort some nice young flier with my body and drive him on until his hot release geysered over my hand. Practical Application of Anatomical Theory, we nurses called it, "PAT" for short. Humor is a frail enough defense against the chaos of war, but you take what you can get.
Superstition was the other universal defense. Mine, I suppose, was a sort of vestal virgin complex, an unexamined belief that opening my flesh to men would destroy my ability to heal theirs.
My very defenses (and repressions) might have opened me to Cleo. Would my senses have snapped so suddenly to attention in peacetime? They say war brings out things you didn't know were in you. But I think back to my first sight of her, the intense gray eyes, the thick, dark hair too short and straight for fashion, the forthright movements of her lean body--and a shiver of delight ripples through me, even now. No matter where or when we met, she would have stirred me.
The uniform sure didn't hurt, though, dark blue, tailored, with slacks instead of skirt. I couldn't identify the service, but "USA" stood out clearly on each shoulder, so it made sense for her to be at the Red Cross club on Charles Street in London, set up by the United States Ambassador's wife for American servicewomen.
There was a real dance floor, and a good band was playing that night, but Cleo lingered near the entrance as though undecided whether to continue down the wide, curving staircase. I don't know how long I stared at her. When I looked up from puzzling over the silver pin on her breast she was watching me quizzically. My date, a former patient whose half-healed wounds made sitting out most of the dances advisable, gripped my shoulder to get my attention.
"A friend of yours?" he asked. He'd been getting a bit maudlin as they played "You'd Be So Nice To Come Home To," and I'd already decided he wasn't going to get the kind of comfort he'd been angling for. I shook off his hand.
"No," I said, "I was just trying to place the uniform. Are those really wings on her tunic?" I felt a thrill of something between envy and admiration. The high, compact breasts under the tunic had caught my attention, too, but that wasn’t something I was ready to admit to myself. I watched her movements with more than casual interest as she descended the stairs and took a table in a dim corner.
"Yeah," he said with some bitterness, "can you believe it? They brought in women for the Air Transport Auxiliary. They get to ferry everything, even the newest Spitfires, from factories or wherever the hell else they happen to be to wherever they're needed."
His tone annoyed me, even though I knew he was anxious about whether he'd ever fly again himself. But then he pushed it too far. "I hear women are ferrying planes back in the States now, too. Thousands of 'em. Next thing you know there won't be any jobs left for men after the war. I ask you, what kind of woman would want to fly warplanes, anyway?" His smoldering glance toward the corner table told me just what kind of woman he had in mind. "Give me a cozy red-headed armful with her feet on the ground any day," he said, with a look of insistent intimacy.
"With her back on the ground, too, I suppose," I snapped, and stood up. "I'm sorry, Frank, I really do wish you the best, but I don't think there's anything more I can do for you. Maybe you should catch the early train back to the base." I evaded his grasp and retreated to the powder room; and, when I came out at last, he had gone.
The corner table, however, was still occupied.
"Mind if I sit here?" I asked. "I'm Kay Barnes."
"Cleo Remington," she said, offering a firm handshake. "It's fine by me. Afraid the boyfriend will try again?"
So she'd noticed our little drama. "Not boyfriend," I said, "just a patient who's had all the nursing he's going to get." I signaled a waitress. "Can I get you a drink to apologize for staring when you came in? I'd never seen wings on a woman before, and...well, to be honest, I had a flash of insane jealousy. I've always wanted to fly, but things just never worked out that way."
"Well," Cleo said, "I can't say I've ever been jealous of a nurse's life, but I'm sure glad you're on the job."
"Tell me what being a pilot is like," I said, "so I can at least fantasize."
She told me, over a cup of the best (and possibly only) coffee in London, about persuading her rancher father that air surveillance was the best way to keep track of cattle spread out over a large chunk of Montana. When her brother was old enough to take over the flying cowboy duty, she'd moved on to courier service out of Billings, and then to a job as instructor at a Civilian Pilot Training Program in Colorado, where everyone knew that her young male students were potential military pilots, but that Cleo, in spite of all her flight hours, wasn't.
Then came all-out war, and the chance to come to England. Women aviators were being welcomed to ferry aircraft for the decimated RAF. I watched her expressive face and hands and beautifully shaped mouth as she talked of Hurricanes and Spitfires and distant glimpses of German Messerschmidts.
As she talked, I did, in fact, fantasize like crazy. But visions of moonlight over a foaming sea of clouds kept resolving into lamplight on naked skin, and the roar of engines and rush of wind gave way to pounding blood and low, urgent cries. Her shifting expressions fascinated me; her rare, flashing smile was so beautiful I wanted to feel its movement under my own lips.
I didn't know what had come over me. Or, rather, I knew just enough to sense what I wanted, without having the least idea how to tell whether she could possibly want it too. I'd admired women before, but only aesthetically, I'd rationalized, or with mild envy. But this flush of heightened sensitivity, this feeling of rushing toward some cataclysm that might tear me apart…that I wanted to tear me apart… This was unexplored territory.
"So," Cleo said at last, looking a bit embarrassed, "that's more about me than anybody should have to sit through. What about you? How did you end up here?"
"I'm not sure I can even remember who I was before the war," I said, scarcely knowing who I'd been just half an hour ago. "It seems as though nothing interesting or exciting ever happened to me back then. Not that 'interesting' will be a fair description of life now until I'm at a safe distance from it."
She nodded. We were silent for a while, sharing the unspoken question of whether the world would ever know such a thing as safety again. Then I told her a little about growing up in New Hampshire, and climbing mountains, only to feel that even there the sky wasn't high and wide enough to hold me. "That's when I dreamed about flying."
"Yes!" she said. "I get that feeling here, once in a while, even in the air. Somehow this European sky seems smaller, and the land below is so crowded with cities, sometimes the only way to tell where you are is by the pattern of the railroads. The Iron Compass, we call it. I guess that's one reason I'm transferring back to the States instead of renewing my contract here.
"The main reason, though, is that I've heard women in the WASPs at home are getting to test-pilot huge Flying Fortresses and Marauders. And that's only the beginning. Pretty soon they'll be commissioned in the regular Army Air Force. In Russia women are even flying combat missions; "Night Witches" the Germans call them. If the war goes on long enough..." She stopped short of saying, "If enough of our men are killed I'll get to fight," and I was grateful. "History is being made," she went on, "and I've got to be in on it!"
In her excitement she had stretched out her legs under the table until they brushed against mine. I wanted so badly to rub against the wool of her slacks that I could scarcely pay attention to what she was saying, but I caught one vital point.
"Transferring?" I leaned far forward, and felt, as well as saw, her glance drop to my breasts. The starchy wartime diet in England had added some flesh, but at that moment I didn't care, because all of it was tingling. "When do you go?"
"In two weeks," she said. "I'm taking a week in London to get a look at some of the sights I haven't had time for in the whole eighteen months I've been over here. Then there'll be one more week of ferrying out of Hamble on the south coast. And then I'm leaving."
Two weeks. One, really. "I've got a few days here, too," I said. "Maybe we could see the sights together." I tried to look meaningfully into her eyes, but she stared down at her own hands on the table and then out at the dance floor where a few couples, some of them pairs of girls, were dancing.
"Sure," she said. "That would be fun." Her casual tone seemed a bit forced.
"I don't suppose you'd like to dance, would you?" I asked, with a sort of manic desperation. "Girls do it all the time here when there aren't enough men. Nobody thinks anything of it."
"Somebody sure as hell would," Cleo said bluntly, "if they were doing it right." She met my eyes, and, in the hot gray glow of her defiant gaze, I learned all I needed to know.
Then she looked away. "Not," she said carefully, "that any of Flight Captain Jackie Cochran's hand-picked, cream-of-American-womanhood pilots would know anything about that."
"Of course not," I agreed. "Or any girl-next-door nurses, either." I could feel a flush rising from my neck to my face, but I plowed ahead. "Some of us might be interested in learning, though."
She looked at me with a quizzical lift to one eyebrow, then pushed back her chair and stood up. Before my heart could do more than lurch into my throat, she said lightly, "How about breakfast here tomorrow, and then we'll see what the big deal is about London."
It turned out we were both staying in the club dormitory upstairs. We went up two flights together; then I opened the door on the third floor landing. Cleo's room was on the fourth floor. I paused, and she said, without too much subtlety, "One step at a time, Kay, one step at a time!" Then she bolted upward, her long legs taking the stairs two, sometimes three, steps at a time.
Night brought, instead of a return to common sense, a series of dreams wilder than anything my imagination or clinical knowledge of anatomy had ever managed before. When I met Cleo for breakfast it was hard to look at her without envisioning her dark, springy hair brushing my thighs, while her mouth... But all my dreams had dissolved in frustration, and I woke up tangled in hot, damp sheets with my hand clamped between my legs.
Cleo didn't look all that rested, either, but for all I knew she was always like that before her second cup of coffee. When food and caffeine began to take effect, I got a map of bus routes from the porter and we planned our day.
London Bridge, Westminster, Harrod's department store; whether I knew how to do it right or not, every moment was a dance of sorts. Cleo got considerable amusement out of my not-so-subtle attempts at seduction. She even egged me on to try on filmy things in Harrod's that I could never afford, or have occasion to wear--what on earth, we speculated, did Harrod's stock when it wasn't wartime?--and let me see how much she enjoyed the view. I didn't think she was just humoring me.
In the afternoon, after lunch at a quaint tearoom, we went to the British Museum and admired the cool marble flesh of nymphs and goddesses. Cleo circled a few statues, observing that the Greeks sure had a fine hand when it came to posteriors; I managed to press oh-so-casually back against her, and she didn't miss the chance to demonstrate her own fine hand, or seem to mind that my posterior was not quite classical.
Then we decided life was too short to waste on Egyptian mummies, and wandered a bit until, in a corner of an upper floor, we found a little gallery where paintings from the Pre-Raphaelite movement and other Victorian artists were displayed. There was no one else there but an elderly woman guard whose stern face softened just a trace at Cleo's smile.
Idealized women gazed out of mythological worlds aglow with color. The grim reality of war retreated under the spell of flowing robes, rippling clouds of hair, impossibly perfect skin.
Cleo stood in the center of the room, slowly rotating. "Sure had a thing for redheads, didn't they," she said. "You'd have fit right in, Kay."
I could only hope she herself had a thing for redheads. Standing there, feeling drab in my khaki uniform, I watched Cleo appreciating the paintings of beautiful women. When she moved closer to the sleeping figure of "Flaming June" by Lord Leighton, I gazed with her at the seductive flesh gleaming through transparent orange draperies and allowed myself, experimentally, to imagine stroking the curve of thigh and hip, the round, tender breasts.
"I don't know how this rates as art," Cleo said, "but oh, my!"
A hot flush rose across my skin, of desire, yes, but even more of fierce jealousy. I wanted to be in that bright, serene world, inside that pampered, carefree body, with smooth arms and hands not roughened by scrubbing with hospital soap. I wanted to be the one seducing Cleo's eyes.
"She could have a million freckles under that gown," I blurted out childishly. "The color would filter them out!"
A tiny grin quirked the corner of Cleo's mouth. As always, I wanted to feel the movement of her lips. "Freckles are just fine," she said, "so long as I get to count them." She turned, and leaned close, and shivers of anticipation rippled through me. "With my tongue," she added, and very gently laid a trail of tiny wet dots across the bridge of my nose. I forgot entirely where we were.
Then she bent her dark head to my throat, and undid my top buttons, and gently cupped my breasts through my tunic as her warm tongue probed down into the valley between. I couldn't bear to stop her, even when I remembered the guard. My breasts felt heavy, my nipples swollen, but not nearly as heavy and swollen as I needed them to be.
Cleo's gray eyes were darker when she raised her head. "Where," she murmured huskily, "is a bomb shelter when you need one?"
But we knew that even now, when Hitler's Russian campaign had distracted the Luftwaffe enough that there hadn't been a really major attack on London in over a year, every bomb shelter had its fiercely protective attendants.
The guard's voice, harsh but muted, startled us. "There's a service lift just down the corridor. It's slow. Though not necessarily slow enough."
She gazed impersonally into space, her weathered face expressionless, until, as we passed, she glanced down at Cleo's silver wings. "Good work," she said curtly. "I drove an ambulance in France in the last war. But for God's sake be careful!"
In the elevator Cleo pressed me against a wood-paneled wall and kissed me so hard it hurt. I slid my fingers through her thick dark hair and held her back just enough for my lips to explore the shape of her lips and my tongue to invite hers to come inside.
By the time we jolted to a stop on the ground floor my crotch felt wetter than my mouth, and even more in need of her probing tongue.
There was no one waiting when the gate slid open. Cleo pulled me along until we found a deserted ladies' room, but once inside, she braced her shoulders against the tiled wall and didn't touch me. "You do realize," she said grimly, "what you're risking."
"Never mind what I'm risking," I said. "One nurse blotting her copy book isn't going to bring everything since Florence Nightingale crashing down. But you..." I remembered Frank's bitter voice asking, "What kind of woman?" Tears stung my eyes, but it had to be said. "You're holding history in your hands, Cleo." I reached out to clasp her fingers. "Right where I want to be."
"Are you sure you know what you want?"
"I may not know exactly what," I admitted, drawing her hands to my hips, "but I sure as hell know I want it!" I reached down and yanked my skirt up as far as I could. Cleo stroked my inner thigh, and I caught my breath; then she slid cool fingers inside my cotton underpants and gently cupped my hot, wet flesh. I moaned and thrust against her touch, and tried to kiss her, and her mouth moved under mine into a wide grin.
"Pretty convincing," she murmured against my lips.
I whimpered as she withdrew her hand, but she just smoothed down my skirt and gave me a pat on my butt. "Not here," she said, and propelled me out the door.
On the long series of bus rides back to Charles Street we tried not to look at each other, but I felt Cleo's dark gaze on me from time to time. I kept my eyes downcast, the better to glance sidelong at her as she alternated between folding her arms across her chest and clenching and unclenching her hands on her blue wool slacks.
Dinner was being served at the Red Cross club, probably the best meal for the price in England. Cleo muttered that she wasn't hungry, not for dinner, anyway, but I had my own motive for insisting. The band would be setting up in half an hour or so, and with the window opened, you could hear the music from my room. Well enough for dancing.
So we ate, although I couldn't say what, and Cleo teased me by running her tongue sensuously around the lip of a coke bottle and into its narrow throat. Her mercurial shifts from intensity to playfulness fascinated me, but the time came when intensity was all I craved.
"I don't suppose you'd like to dance, would you?" I repeated last night's invitation with a barely steady voice. "If I tried my best to do it right?" I stood abruptly and started for the stairs. Behind me Cleo's chair fell over with a clatter as she jumped up to follow me.
I reached my tiny room ahead of her--nursing builds strong legs. I crossed to the window to heave it open, and then the door slammed shut and she was behind me, pressing her crotch against my ass, wrapping her arms around me to undo my buttons and cradle my breasts through my sensible cotton slip. I longed to be wearing sheer flame-colored silk for her.
When she slid her hands under the fabric and over my skin, though, I found I didn't want to be wearing anything at all. "So soft," she whispered, "so tender..." and then, as my nipples jerked taut under her strokes, "and getting so hard..."
A melody drifted from below; "Something To Remember You By." I turned in her arms. "Teach me to dance," I whispered.
We swayed gently together, feet scarcely moving in the cramped space, thighs pressing into each other's heat. Cleo kneaded my ass, while I held her so tightly against my breast that her silver wings dented my flesh.
"Please," I murmured against her cheek, "closer..." I fumbled at the buttons of her tunic. When she tensed, I drew back. "I'm sorry...I don't know the rules..."
"The only rule," Cleo said, after a long pause, "is that you get what you need."
"I need to feel you," I said.
She drew her hands over my hips and up my sides until she held my breasts again; then she stepped back and began to shed her clothes. Mine, with a head start, came off even faster.
The heady musk of arousal rose around us. A clarinet crooned, "I'll Be Seeing You." I cupped my full breasts and raised them so that my nipples could flick against Cleo's high, tightening peaks, over and over. The sensation was exquisite, tantalizing--I gave a little whimper, needing more, and she bent to take me into her mouth.
I thought I would burst with wanting. My swollen nipples felt as big as her demanding tongue. Then she worked her hand between my legs, and spread the juices from my cunt up over my straining clit, and my whimpers turned to full-throated moans.
Cleo raised her head. Her kiss muted my cries as she reached past me to shut the window. "Hope nobody's home next door," she muttered, and suddenly we were dancing horizontally on the narrow bed. I arched my hips, rubbing against her thigh, until her mouth moved down over throat and breasts and belly, slowly, too slowly; I wanted to savor each moment but my need was too desperate. I wriggled, and thrashed, and her head sank at last between my thighs, just as in my dreams. Her mobile lips drove me into a frenzy of pleading, incoherent cries, until, with her tongue thrusting deeply, rhythmically into my cunt, my ache exploded into glorious release.
In the first faint light of morning I woke to feel Cleo's fingers ruffling my tousled hair. "If I were an artist I'd paint you like this," she whispered. "You look like a marmalade cat full of cream."
I stretched, and then gasped as her fingers roused last night's ache into full, throbbing resurgence. "Sure enough," she said with a wicked grin, "plenty of cream. Let's see if I can make you yowl again."
This time I found out what her long, strong fingers could do deep inside me, one at first, then two; by the end of the week I could clutch at her whole, pumping hand.
Sometimes I think I remember every moment of those days; sometimes everything blurs except the feel of Cleo's hands and mouth and body against mine, and the way her eyes would shift suddenly from laughing silver to the dark gray of storm clouds.
We did more sightseeing; the Tower of London, Madam Tussaud's Wax Museum, St. Paul's Cathedral scarred by German bombs. We took boat trips up the Thames to Richmond Park, where we dared to kiss in secluded bits of woodland, and down river where we held hands across the Greenwich Meridian. One night, in anonymous clothes bought at a flea-market barrow, we even managed to get into a club Cleo had heard of where women did dance openly with women. We couldn't risk staying long, but a dark intoxication followed us back to her room, where I entirely suppressed the nurse in me and demanded things of Cleo that left both of us sore, drained, and without regrets.
On our last night in London we went anonymously again into shabby backstreets near the docks. I brought disinfectants, and we chose what seemed the cleanest of a sorry lot of tattoo parlors. There, welcoming the pain of the needle as distraction from deeper pain, we had tiny pairs of wings etched over our left breasts.
We parted with promises to meet one more time before Cleo's last flight. I mortgaged a week of sleep to get my nursing shifts covered, and at Hamble Air Field, by moonlight, she introduced me to the planes she loved.
"This is the last Spitfire I'll ever fly," she said, stroking the sleek fuselage. "Seafire III, Merlin 55 engine, 24,000 foot ceiling, although I won't go up that high just on a hop to Scotland."
From Scotland she'd catch an empty cargo plane back to the States. I had just got my orders to report to Hawaii for assignment somewhere in the South Pacific. War is hell, and so are good-byes.
"Could I look into the cockpit?" I asked, wanting to be able to envision her there, high in the sky.
"Sure. You can even sit in it and play pilot, if you like." She helped me climb onto the wing, with more pressing of my ass than was absolutely necessary, and showed me how to lower myself into the narrow space. Standing on the wing, she leaned in and kissed me, hard at first, then with aching tenderness, then hard again.
"Pull up your skirt," she ordered, and I did it without question. She already knew I wasn't wearing underpants. "Let's see how wet you can get the seat," she said, "So I can breathe you all the way to Scotland." She unbuttoned my shirt and played with my breasts until I begged her to lean in far enough to suck my aching nipples; then, with her lips and tongue and teeth driving me so crazy that my breath came in a storm of desperate gasps, she reached down into my slippery heat and made me arch and buck so hard that the plane's dials and levers were in danger. I needed more than I could get sitting in the cramped cockpit.
We clung together finally in the grass under the sheltering wing. I got my hands into Cleo's trousers, and made her groan, but she wouldn't relax into sobbing release until she had her whole hand at last inside me and I was riding it on pounding waves of pleasure as keen as pain.
I thought, when I could think anything again, that she had fallen asleep, she was so still. Gently, gently I touched my lips to the nearly-healed tattoo above her breast. Tiny wings matching mine. Something to remember her by.
Without opening her eyes she said, in a lost, small voice, "What are we going to do, Kay?"
I knew what she was going to do. "You're going to claim the sky, to make history. And anyway," I said, falling back on dark humor since I had no comfort to offer, "a cozy ménage in Paris seems out of the question with the Nazis in control."
Then, because I knew if I touched her again we would both cry, and hate ourselves for it, I stood, put my clothes in as much order as I could, and walked away.
I looked back once, from the edge of the field. Cleo leaned, head bowed, against the plane. Some trick of the moonlight transmuted her dark hair into silver; I had a vision of how breathtaking she would be in thirty or forty years. The pain of knowing I couldn't share those years made me stumble, and nearly fall. But I kept on walking.
And she let me go.
On June 24, 1944, against all justice and reason, the bill to make the Women Airforce Service Pilots officially part of the Army Air Force was defeated in Congress by nineteen votes. In December, the WASP were disbanded. By then, though, after going through hell in the Pacific theater of war, I had met Jack, who truly loved and needed me, whose son was growing below my heart. His kisses tasted of home, and peace, and more unborn children demanding their chance at life.
Thirty-three years later, in 1977, when women were at last being admitted into the Air Force, the WASP were retroactively given military status. It was then, through a reunion group, that I found out what had become of Cleo Remington; she had found a sky that was high and wide enough to hold her fierce spirit, and freedom as a bush pilot in Alaska.
And she was, as I discovered, even more breathtaking at sixty than she'd been at twenty-six.
But that's another chapter of the story.